(2013·高考新課標(biāo)全國卷,B)In 1947 a group of famous people from the art world headed by an Austrian conductor decided to hold an international festival of musicdance and theatre in Edinburgh.The idea was to reunite Europe after the Second World War.

It quickly attracted famous names such as Alec Guinness,Richard BurtonDame Margot Fonteyn and Marlene Dietrich as well as the big symphony orchestras(交響樂團)It became a fixed event every August and now attracts 400,000 people yearly.

At the same time,the “Fringe” appeared as a challenge to the official festival.Eight theatre groups turned up uninvited in 1947,in the belief that everyone should have the right to perform,and they did so in a public house disused for years.

Soon,groups of students firstly from Edinburgh University,and later from the universities of Oxford and Cambridge,Durham and Birmingham were making the journey to the Scottish capital each summer to perform theatre by little?known writers of plays in small church halls to the people of Edinburgh.

Today the“Fringe”,once less recognized,has far outgrown the festival with around 1,500 performances of theatremusic and dance on every one of the 21 days it lasts.And yet as early as 1959,with only 19 theatre groups performingsome said it was getting too big.

A paid administrator was first employed only in 1971and today there are eight administrators working all year round and the number rises to 150 during August itself.In 2004 there were 200 places housing 1,695 shows by over 600 different groups from 50 different countries.More than 1.25 million tickets were sold.

1.What was the purpose of Edinburgh Festival at the beginning?

ATo bring Europe together again.

BTo honor heroes of World War Ⅱ.

CTo introduce young theatre groups.

DTo attract great artists from Europe.

2.Why did some uninvited theatre groups come to Edinburgh in 1947?

AThey owned a public house there.

BThey came to take up a challenge.

CThey thought they were also famous.

DThey wanted to take part in the festival.

3.Who joined the“Fringe”after it appeared?

APopular writers.

BUniversity students.

CArtists from around the world.

DPerformers of music and dance.

4.We may learn from the text that Edinburgh Festival________.

Ahas become a non?official event

Bhas gone beyond an art festival

Cgives shows all year round

Dkeeps growing rapidly

 

1.A

2.D

3.B

4.D

【解析】 這是一篇記敘文。1947年一群藝術(shù)界的著名藝術(shù)家在一位奧地利指揮家的帶領(lǐng)下,決定在愛丁堡舉辦國際藝術(shù)節(jié)來使整個歐洲在二戰(zhàn)后再團結(jié)起來。沒想到這個藝術(shù)節(jié)得到了許多人的青睞,并迅速發(fā)展。

1.

2.2】解析:選D。細節(jié)理解題。根據(jù)第三段第二句話后半句...in the belief that everyone should have the right to perform,and they did so in a public house disused for years.可知一些沒被邀請的劇團想?yún)⒓铀囆g(shù)節(jié),故答案為D。

3.3】解析:選B。細節(jié)理解題。由第四段內(nèi)容可知答案為B。

4.4】解析:選D。推理判斷題。由最后一段的一系列數(shù)據(jù)可知答案為D。

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1.immunise                        使免疫,使免除

2.expectation of life = life expectancy      平均壽命

3.versus = against                       對頂,反對

4.mutilate                        傷害

5.wilful                        任性的,固執(zhí)的

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8.desecrate                  褻瀆,玷污

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ATwain was more willing to deal with racism.

BTwain’s attack on racism was much less open.

CTwain’s themes seemed to agree with plots.

DTwain was openly concerned with racism.

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Atarget readers at the bottom

Banti?slavery attitude

Crather impolite language

Dfrequent use of“nigger”

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AJim’s search for his family was described in detail.

BThe slave’s voice was first heard in American novels.

CJim grew up into a man and a father in the white culture.

DTwain suspected that the slaves were less intelligent.

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Aslaves were forced to give up their babies to their masters

Bslaves’ babies could pick up slave?holders’ way of speaking

Cblacks’social position was shaped by how they were brought up

Dblacks were born with certain features of prejudice

5.What does the underlined word “they” in Paragraph 7 refer to?

AThe attacks.

BSlavery and prejudice.

CWhite men.

DThe shows.

6.What does the author mainly argue for?

ATwain had done more than his contemporary writers to attack racism.

BTwain was an admirable figure comparable to Abraham Lincoln.

CTwain’s works had been banned on unreasonable grounds.

DTwain’s works should be read from a historical point of view.

 

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