采訪中有5處需要添加信息。請從以下選項中(A, B, C, D, E和F)中選出符合各段意思的選項。選項中有一項是多余的。

A.Do established musicians have a responsibility to guide and assist young up-and–coming musicians?
B.Did anyone promote your musical education when you were growing up?
C.What kind of “world music” do you enjoy?
D.What’s your comment on pop music?
E.Does the contemporary music press give jazz the coverage it deserves?
F.What’s wrong with the music on the radio?
An interview with Wynton Marsalis, a noted jazz musician
【小題1】_________________________________
There were the older jazz musicians who hung around our house when I was young.I saw how much they practiced, how serious they were about their art.I knew then I had to work just as hard if I wanted to succeed.Of course, my father inspired me a lot, and many teachers took the time to nurture my talent and the talents of other students in our school.
【小題2】_____________________________
Yes.We’ve done such a poor job with music education because, as a society, we haven’t maintained the kind of education that a true artist and musician needs.Young people haven’t been able to equate romance and talent with music.For instance, most of the people who make it in the music industry today have to look good.How they sound is secondary.Sarah Vaughan, Bessie Smith, Ella Fitzgerald — those big, romantic queens of jazz music wouldn’t make it in today’s music industry, and that’s a shame.We need to teach young people about the alternatives.
【小題3】______________________________
Around the world people make music that, if you listen carefully to it, sounds a little like the cadence of their language.I’d call it folk music.When I’m away from home, I make a point of listening to regional folk music, not what’s on the radio.
【小題4】_______________________________
The same music is on the radio all over the world, and the American sound is overwhelming.Even the pop music that’s produced and created in foreign countries has that American beat, which underscore funk.As a musician, I’m not interested in hearing recycled versions of the same genre over and over.Any music that doesn’t have a development section just isn’t interesting to me.
【小題5】_________________________________
The music press has so much to introduce these days, and jazz is just a small fraction of it.Because some people are intimidated by jazz, they don’t cover it unless it’s a big name.New jazz musicians don’t get much of break.A lot of editors don’t say anything about jazz these days unless it’s Marsalis.That’s a shame.What VH1 is doing with their Save the Music campaign is phenomenal.They’re getting all these instruments out to needy kids.It’s the kind of thing all networks should be doing.


【小題1】B
【小題2】A
【小題3】C
【小題4】F
【小題5】E

解析試題分析:
【小題1】B 根據(jù)本段第一句There were the older jazz musicians who hung around our house when I was young說明記者詢問了:小時候,有沒有人教你學音樂。故B符合上下文。
【小題2】A 根據(jù)本段1,2行Yes.We’ve done such a poor job with music education because, as a society, we haven’t maintained the kind of education that a true artist and musician needs說明A正確。
【小題3】C 根據(jù)本段第二行I’d call it folk music.說明他喜歡的是民歌,那么應該是詢問C項內(nèi)容。
【小題4】F 根據(jù)第一句The same music is on the radio all over the world, and the American sound is overwhelming.說明收音機里的音樂過多的是關(guān)于美國的音樂,故問題應該是F項。
【小題5】E 根據(jù)第一句The music press has so much to introduce these days, and jazz is just a small fraction of it。說明問題是當代音樂說不定包括了爵士樂。故E項符合。
考點:考查新聞采訪短文
點評:本文本句簡單,抓住采訪者的回答中的中心思想來篩選合適的句子,要求學生抓抓文章的關(guān)鍵詞和關(guān)鍵句子,合理的推理判斷。

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A.Do established musicians have a responsibility to guide and assist young up-and–coming musicians?

B.Did anyone promote your musical education when you were growing up?

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D.What’s your comment on pop music?

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An interview with Wynton Marsalis, a noted jazz musician

1._________________________________

         There were the older jazz musicians who hung around our house when I was young. I saw how much they practiced, how serious they were about their art. I knew then I had to work just as hard if I wanted to succeed. Of course, my father inspired me a lot, and many teachers took the time to nurture my talent and the talents of other students in our school.

2._____________________________

         Yes. We’ve done such a poor job with music education because, as a society, we haven’t maintained the kind of education that a true artist and musician needs. Young people haven’t been able to equate romance and talent with music. For instance, most of the people who make it in the music industry today have to look good. How they sound is secondary. Sarah Vaughan, Bessie Smith, Ella Fitzgerald — those big, romantic queens of jazz music wouldn’t make it in today’s music industry, and that’s a shame. We need to teach young people about the alternatives.

3.______________________________

         Around the world people make music that, if you listen carefully to it, sounds a little like the cadence of their language. I’d call it folk music. When I’m away from home, I make a point of listening to regional folk music, not what’s on the radio.

4._______________________________

         The same music is on the radio all over the world, and the American sound is overwhelming. Even the pop music that’s produced and created in foreign countries has that American beat, which underscore funk. As a musician, I’m not interested in hearing recycled versions of the same genre over and over. Any music that doesn’t have a development section just isn’t interesting to me.

5._________________________________

         The music press has so much to introduce these days, and jazz is just a small fraction of it. Because some people are intimidated by jazz, they don’t cover it unless it’s a big name. New jazz musicians don’t get much of break. A lot of editors don’t say anything about jazz these days unless it’s Marsalis. That’s a shame. What VH1 is doing with their Save the Music campaign is phenomenal. They’re getting all these instruments out to needy kids. It’s the kind of thing all networks should be doing.

 

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采訪中有5處需要添加信息。請從以下選項中(A, B, C, D, E和F)中選出符合各段意思的選項。選項中有一項是多余的。

A.Do established musicians have a responsibility to guide and assist young up-and–coming musicians?

B.Did anyone promote your musical education when you were growing up?

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An interview with Wynton Marsalis, a noted jazz musician

61 _________________________________

There were the older jazz musicians who hung around our house when I was young.I saw how much they practiced, how serious they were about their art.I knew then I had to work just as hard if I wanted to succeed.Of course, my father inspired me a lot, and many teachers took the time to nurture my talent and the talents of other students in our school.

62._____________________________

Yes.We’ve done such a poor job with music education because, as a society, we haven’t maintained the kind of education that a true artist and musician needs.Young people haven’t been able to equate romance and talent with music.For instance, most of the people who make it in the music industry today have to look good.How they sound is secondary.Sarah Vaughan, Bessie Smith, Ella Fitzgerald — those big, romantic queens of jazz music wouldn’t make it in today’s music industry, and that’s a shame.We need to teach young people about the alternatives.

63.______________________________

Around the world people make music that, if you listen carefully to it, sounds a little like the cadence of their language.I’d call it folk music.When I’m away from home, I make a point of listening to regional folk music, not what’s on the radio.

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The same music is on the radio all over the world, and the American sound is overwhelming.Even the pop music that’s produced and created in foreign countries has that American beat, which underscore funk.As a musician, I’m not interested in hearing recycled versions of the same genre over and over.Any music that doesn’t have a development section just isn’t interesting to me.

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The music press has so much to introduce these days, and jazz is just a small fraction of it.Because some people are intimidated by jazz, they don’t cover it unless it’s a big name.New jazz musicians don’t get much of break.A lot of editors don’t say anything about jazz these days unless it’s Marsalis.That’s a shame.What VH1 is doing with their Save the Music campaign is phenomenal.They’re getting all these instruments out to needy kids.It’s the kind of thing all networks should be doing.

 

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