6.This is a painting full of and hope. 查看更多

 

題目列表(包括答案和解析)

用所給單詞的正確形式填空。
1.According to a recent research,dolphins are much more _______ than other animals.
   (intelligence)
2.It's scary to stay in a house alone in _______ darkness. (totally)
3.Most of the time,women are forced to make a _______ between family and career.
  (choose)
4.The mother was amazed by the little kid's _______ idea. (create)
5._______ speaking,it's worth all the efforts. (person)
6.This is a painting full of _______ and hope. (imagine)
7.The earth is nothing but a very small planet in the endless _______. (universal)
8.The earliest _______ in China is abacus. (calculate)
9._______ arose about exactly how to spend the money. (disagree)
10.The _______ progress is changing our life. (technology)

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閱讀理解。
     Old Behrman was a painter who lived on the ground floor of the apartment building. Behrman was a failure
in art. For years, he had always been planning to paint a work of art, but had never yet begun it. He earned a
little money by serving as a model to artists who could not pay for a professional model. He was a fierce, little,
old man who protected the two young women in the studio apartment above him.
     Sue found Behrman in his room. In one area was a blank canvas (畫布) that had been waiting twenty-five
years for the first line of paint. Sue told him about Johnsy and how she feared that her friend would float away
like a leaf on the old ivy vine climbing hopelessly up the outside block wall.
     Old Behrman was angered at such an idea. "Are there people in the world with the foolishness to die because
leaves drop off a vine? Why do you let that silly business come in her brain?"
     "She is very sick and weak," said Sue, "and the disease has left her mind full of strange ideas."
     "This is not any place in which one so good as Miss Johnsy shall lie sick," yelled Behrman. "Some day I will
paint a masterpiece, and we shall all go away."
     Johnsy was sleeping when they went upstairs. Sue pulled the shade down to cover the window. She and
Behrman went into the other room. They looked out a window fearfully at the ivy vine. Then they looked at
each other without speaking. A cold rain was falling, mixed with snow. Behrman sat and posed as the miner.
     The next morning, Sue awoke after an hour's sleep. She found Johnsy with wide-open eyes staring at the
covered window.
     "Pull up the shade; I want to see," she ordered, quietly.
     Sue obeyed.
     After the beating rain and fierce wind that blew through the night, there yet stood against the wall one ivy
leaf. It was the last one on the vine. It was still dark green at the center. But its edges were colored with the
yellow. It hung bravely from the branch about seven meters above the ground.
     "It is the last one," said Johnsy. "I thought it would surely fail during the night. I heard the wind. It will fall
today and I shall die at the same time."
     "Dear, dear!" said Sue, leaning her worn face downtoward the bed. "Think.of me, if you won't think of
yourself. What would I do?"
     But Johnsy did not answer.
     The next morning, when it was light, Johnsy demanded that the window shade be raised. The ivy leaf was
still there. Johnsy lay for a long time, looking at it. And then she called to Sue, who was preparing chicken
soup.
     "I've been a bad girl," said Johnsy. "Something has made that last leaf stay there to show me how bad I
was. It is wrong to want to die. You may bring me a little soup now."
     An hour later she said:"someday I hope to paint the Bay of Naples."
     Later in the day, the doctor came, and Sue talked to him in the hallway.
     "Even chances. With good care, you'll win," said the doctor. "And now I must see another case I have in
your building. Behrman, his name is-some kind of an artist, I believe. Pneumonia (肺炎), too. He is an old,
weak man and his case is severe. There is no hope for him; but he goes to the hospital today to ease his pain."
     The next day, the doctor said to Sue:"She's out of danger. You won. Nutrition and care now-that's all."
     Later that day, Sue came to the bed where Johnsy lay, and put one arm around her.
     "I have something to tell you, white mouse," she said."Mister Behrman died of pneumonia today in the
hospital. He was sick only two days. They found him the morning of the first day in his room downstairs
helpless with pain. His shoes and clothing were completely wet and icy cold. They could not imagine where
he had been on such a terrible night.
     And then they found a lantern, still lighted. And they found a ladder that had been moved from its place.
And art supplies and a painting board with green and yellow colors mixed on it.
     And look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never moved
when the wind blew? Ah, darling, it is Behrrnan's masterpiece-he painted it there the night that the last leaf felt."  
1. What was in Johnsy's mind all the time?
A. When the last leaf falls I must go.
B. The old ivy leaves have little to do with my getting well.
C. I am such a bad girl as to make everything messy.
D. Someday I hope to paint a masterpiece.
2. Which detail in the passage suggests that Behrman was a failure?
A. He worked as a miner to make ends meet.
B. His drawing board had waited 25 years to receive the first line of his masterpiece.
C. He was protective of the two girls but mostly sensitive and fierce.
D. He was a professional model waiting for his great opportunity.
3. One can safely assume after reading the story that _____.
A. the relationship between the two artist girls was developed on material comfort
B. the three artists mentioned in the story shared a studio apartment
C. Behrman showed great sympathy for the two youth
D. Johnsy was somehow annoyed to be accompanied by a never-succeeded artist
4. What does the underlined part "Even chances" suggest?
A. The doctor indicated that Johnsy was doomed to die.
B. The doctor thought that they should let her go.
C. The doctor believed that Johnsy had every chance of recovery.
D. The doctor put her chances at fifty-fifty.
5. When Johnsy said she had been a bad girl, she meant that _____.
A. asking for death was not right
B. she deserved more severe punishment
C. she should never forget about her dream
D. she was ashamed not to be able to support the other two
6. The short story can be listed as a typical example of stories with _____.
A. surprise endings
B. vivid contrasts
C. artistic imagination
D. arresting openings

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Starry Night
Have you ever seen a real night sky that looks like Van Gogh’s Starry Night? I hope not! So, why would an artist paint the sky this way? Perhaps I can answer that with another question. When you’re happy, why do you sing instead of speaking? Or when you’re in love, why do you speak of roses and honey? When we do these things, we, too are artists. We’re using something that goes beyond a mere scientific description in order to communicate our feelings more powerfully than straightforward words can. So consider for a moment that Van Gogh might not have been hallucinating (產(chǎn)生幻覺的) on the night he painted this. Maybe he felt something so powerful that he had to go beyond the familiar to express it.
I hope I’m reminding you of something you already know as I describe the experience of being outside at night under a crystal clear sky that makes everything seem clean and refreshing. So you look up. And suddenly you see the sky that you’ve seldom seen before. It’s not just the same old dark night sky tonight. Instead, the blackness is a deep, rich blue that is more bottomless than any ocean. The stars are not spots of light but brilliant, magical diamonds that dance like tiny angels. In just this special moment, the sky is somehow alive, and it seems to speak to you silently about the meaning of infinity (無限).
Now look at the painting again. Can you see something of what makes this such a famous and well-loved image? But there’s more here than that. Van Gogh painted this while he was quite struck down by a mental disease. It is natural to imagine that he frequently battled the fear that he would never escape his prison to true freedom. It is natural for us to imagine this because each of us has faced our own personal prison, whether it be disease, the loss of a loved one, serious financial problems … In such moments it is tempting to give up to despair (絕望) and collapse in hopelessness.
Looking at this painting, I imagine Van Gogh in just such a moment of despair, when he is struck by the memory of one of those amazing night skies. He recalls the sense that he is not alone, that there is a living, infinite world with rich colorful creatures and scenes all around.
And so the sky flows across the canvas (畫布) full of vitality (活力) and power. The stars don’t just sparkle; they explode. Looking closer, we notice that the earth itself seems to respond to the movement in the sky, forming its own living waves in the mountain and rolling trees. In the sleepy village, the windows of the houses glow (發(fā)光) with the same light that brightens the universe. The giant trees at the left seem to capture the joy by stretching upwards toward the sky.
What a tremendous message of hope there is in this masterpiece! Even if our troubles persist, the world around us assures us that life is worth living. That’s what the angels sing about. Doesn’t it make you want to sing, too?
【小題1】Looking at the painting Starry Night, we can see all the following except________.

A.The singing angelsB.the giant trees
C.the sleepy villageD.the sparkling stars
【小題2】Van Gogh does NOT describe a feeling of ______ through the Starry Night.
A.happinessB.vitalityC.powerD.despair
【小題3】The underlined word “prison” in the 3rd paragraph probably means ______.
A.trouble in one’s lifeB.mental illness
C.control from the authorityD.a(chǎn) place where criminals are kept
【小題4】What is the main purpose of this passage?
A.To explain how Van Gogh painted the Starry Night.
B.To tell us how to appreciate the Starry Night.
C.To prove Van Gogh was in a hallucinating state of mind while painting the picture.
D.To show us the beauty of the sky on a starry night.

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Starry Night

Have you ever seen a real night sky that looks like Van Gogh’s Starry Night? I hope not! So, why would an artist paint the sky this way? Perhaps I can answer that with another question. When you’re happy, why do you sing instead of speaking? Or when you’re in love, why do you speak of roses and honey? When we do these things, we, too are artists. We’re using something that goes beyond a mere scientific description in order to communicate our feelings more powerfully than straightforward words can. So consider for a moment that Van Gogh might not have been hallucinating (產(chǎn)生幻覺的) on the night he painted this. Maybe he felt something so powerful that he had to go beyond the familiar to express it.

I hope I’m reminding you of something you already know as I describe the experience of being outside at night under a crystal clear sky that makes everything seem clean and refreshing. So you look up. And suddenly you see the sky that you’ve seldom seen before. It’s not just the same old dark night sky tonight. Instead, the blackness is a deep, rich blue that is more bottomless than any ocean. The stars are not spots of light but brilliant, magical diamonds that dance like tiny angels. In just this special moment, the sky is somehow alive, and it seems to speak to you silently about the meaning of infinity (無限).

Now look at the painting again. Can you see something of what makes this such a famous and well-loved image? But there’s more here than that. Van Gogh painted this while he was quite struck down by a mental disease. It is natural to imagine that he frequently battled the fear that he would never escape his prison to true freedom. It is natural for us to imagine this because each of us has faced our own personal prison, whether it be disease, the loss of a loved one, serious financial problems … In such moments it is tempting to give up to despair (絕望) and collapse in hopelessness.

Looking at this painting, I imagine Van Gogh in just such a moment of despair, when he is struck by the memory of one of those amazing night skies. He recalls the sense that he is not alone, that there is a living, infinite world with rich colorful creatures and scenes all around.

And so the sky flows across the canvas (畫布) full of vitality (活力) and power. The stars don’t just sparkle; they explode. Looking closer, we notice that the earth itself seems to respond to the movement in the sky, forming its own living waves in the mountain and rolling trees. In the sleepy village, the windows of the houses glow (發(fā)光) with the same light that brightens the universe. The giant trees at the left seem to capture the joy by stretching upwards toward the sky.

What a tremendous message of hope there is in this masterpiece! Even if our troubles persist, the world around us assures us that life is worth living. That’s what the angels sing about. Doesn’t it make you want to sing, too?

1.Looking at the painting Starry Night, we can see all the following except________.

A. The singing angels                             B. the giant trees

C. the sleepy village                               D. the sparkling stars

2.Van Gogh does NOT describe a feeling of ______ through the Starry Night.

   A. happiness         B. vitality            C. power                    D. despair

3.The underlined word “prison” in the 3rd paragraph probably means ______.

   A. trouble in one’s life                                   B. mental illness

   C. control from the authority                  D. a place where criminals are kept

4.What is the main purpose of this passage?

 A. To explain how Van Gogh painted the Starry Night.

 B. To tell us how to appreciate the Starry Night.

 C. To prove Van Gogh was in a hallucinating state of mind while painting the picture.

 D. To show us the beauty of the sky on a starry night.

 

查看答案和解析>>

Starry Night

Have you ever seen a real night sky that looks like Van Gogh’s Starry Night? I hope not! So, why would an artist paint the sky this way? Perhaps I can answer that with another question. When you’re happy, why do you sing instead of speaking? Or when you’re in love, why do you speak of roses and honey? When we do these things, we, too are artists. We’re using something that goes beyond a mere scientific description in order to communicate our feelings more powerfully than straightforward words can. So consider for a moment that Van Gogh might not have been hallucinating (產(chǎn)生幻覺的) on the night he painted this. Maybe he felt something so powerful that he had to go beyond the familiar to express it.

I hope I’m reminding you of something you already know as I describe the experience of being outside at night under a crystal clear sky that makes everything seem clean and refreshing. So you look up. And suddenly you see the sky that you’ve seldom seen before. It’s not just the same old dark night sky tonight. Instead, the blackness is a deep, rich blue that is more bottomless than any ocean. The stars are not spots of light but brilliant, magical diamonds that dance like tiny angels. In just this special moment, the sky is somehow alive, and it seems to speak to you silently about the meaning of infinity (無限).

Now look at the painting again. Can you see something of what makes this such a famous and well-loved image? But there’s more here than that. Van Gogh painted this while he was quite struck down by a mental disease. It is natural to imagine that he frequently battled the fear that he would never escape his prison to true freedom. It is natural for us to imagine this because each of us has faced our own personal prison, whether it be disease, the loss of a loved one, serious financial problems … In such moments it is tempting to give up to despair (絕望) and collapse in hopelessness.

Looking at this painting, I imagine Van Gogh in just such a moment of despair, when he is struck by the memory of one of those amazing night skies. He recalls the sense that he is not alone, that there is a living, infinite world with rich colorful creatures and scenes all around.

And so the sky flows across the canvas (畫布) full of vitality (活力) and power. The stars don’t just sparkle; they explode. Looking closer, we notice that the earth itself seems to respond to the movement in the sky, forming its own living waves in the mountain and rolling trees. In the sleepy village, the windows of the houses glow (發(fā)光) with the same light that brightens the universe. The giant trees at the left seem to capture the joy by stretching upwards toward the sky.

What a tremendous message of hope there is in this masterpiece! Even if our troubles persist, the world around us assures us that life is worth living. That’s what the angels sing about. Doesn’t it make you want to sing, too?

72. Looking at the painting Starry Night, we can see all the following except________.

A. the sparkling stars                  B. the giant trees

C. the sleepy village               D. The singing angels

73. Van Gogh does NOT describe a feeling of _______ through the Starry Night.

  A. happiness      B. vitality    C. power        D. despair

74. The underlined word “prison” in the 3rd paragraph probably means _______.

  A. mental illness                B. trouble in one’s life 

  C. control from the authority         D. a place where criminals are kept

75. What is the main purpose of this passage?

  A. To tell us how to appreciate the Starry Night.

  B. To explain how Van Gogh painted the Starry Night.

  C. To prove Van Gogh was in a hallucinating state of mind while painting the picture.

  D. To show us the beauty of the sky on a starry night.

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