Watercolor is the oldest paints known. It dates back to the early cave men who discovered they could add lifelike qualities to drawings of animals and other figures on the walls of caves by mixing the natural colors found in the earth with water.

Fresco(壁畫), one of the greatest of all art forms, is done with watercolor. It is created by mixing paints and water and applying these to wet plaster(灰泥). Of the thousands of people who stand under Michelangelo's heroic ceiling in the Sistine Chapel, very few know that they are looking at perhaps the greatest watercolor painting in the world.

The invention of oil painting by the Flemish masters in the fifteenth century made fresco painting go down-hill, and for the next several centuries watercolor was used mainly for doing sketches(素描) or as a tool for study. It was not until the eighteenth and nineteenth centuries that English painters put back watercolor as a serious art form. The English have a widely-known love for the outdoors and also small, private pictures. The softness of watercolor had a remarkably strong attraction for them.

The popularity of watercolor continued to grow until in the twentieth century. The United States passed England as the center for watercolor, producing such well-known watercolor artists as Thomas Eakins and Andrew Wyeth.

What is the passage mainly about?

A.The gradual weakness of fresco painting.

B.Oils having more power or influence over watercolor.

C.The rediscovery of watercolor in England.

D.The start and development of watercolor.

The first watercolor artists were ______.

A.early cave men                                      B.Italian fresco artists

C.Flemish masters                                     D.English artists of the 18th century

In 16th and 17th centuries the artists thought ______.

A.watercolor was more costly, but was better

B.oil painting lasted less long, but clearer and brighter

C.watercolor was not suitable for finished works

D.oil painting was difficult to use

According to the passage, watercolor painting was put back in England because ______.

A.it was easy to use outdoors                      B.it was a strong medium

B.it was extremely bright in color               D.it was well suited to popular tastes

What would the next paragraph most probably deal with?

A.The works of famous American watercolor artists.

B.The weakness of oils as popular paints.

C.Techniques of producing watercolor.

D.Modern American oil painters.

Watercolor is the oldest paints known. It dates back to the early cave men who discovered they could add lifelike qualities to drawings of animals and other figures on the walls of caves by mixing the natural colors found in the earth with water.

Fresco (壁畫), one of the greatest of all art forms, is done with watercolor. It is created by mixing paints and water and applying these to wet plaster （灰泥）. Of the thousands of people who stand under Michelangelo’s heroic ceiling in the Sistine Chapel, very few know that they are looking at perhaps the greatest watercolor painting in the world.

The invention of oil painting by the Flemish masters in the fifteenth century made fresco painting go downhill, and for the next several centuries watercolor was used mainly for doing sketches（草圖）or as a tool for study. It was not until the eighteenth and nineteenth centuries that English painters put back watercolor as a serious art form. The English have a widely-known love for outdoors and also small private pictures. The softness of watercolor had a remarkably strong attraction for them.

The popularity of watercolor continued to grow until the twentieth century. The United States passed England as the center for watercolor, producing such well-known watercolor artists as Thomas Eakins and Andrew Wyeth.

The purpose of the passage is to introduce ________.

A. the gradual weakness of fresco painting

B. oil’s power or influence over watercolor

C. the discovery of watercolor in England

D. the start and development of watercolor

In the 16^th and 17^th centuries the artists thought ________.

A. watercolor was softer, and thus better.

B. Oil painting lasted longer, and was better.

C. Watercolor wasn’t fit for finished works

D. Watercolor was too hard to use in any works.

According to the passage, watercolor painting was put back in England because ______.

A. it was easy to use outdoors     B. it was a strong medium（媒介）

C. it was extremely bright in color.  D. it was suited for popular tastes

What would the next paragraph most probably talk about?

   A. The works of famous US watercolor artists.

   B. Modern American oil painters.

   C. The weaknesses of oil as popular paints

   D. Techniques of producing watercolor

 Watercolor is the oldest paints known. It dates back to the early cave men who discovered they could add lifelike qualities to drawings of animals and other figures on the walls of caves by mixing the natural colors found in the earth with water.

Fresco (壁畫), one of the greatest of all art forms, is done with watercolor. It is created by mixing paints and water and applying these to wet plaster （灰泥）. Of the thousands of people who stand under Michelangelo’s heroic ceiling in the Sistine Chapel, very few know that they are looking at perhaps the greatest watercolor painting in the world.

The invention of oil painting by the Flemish masters in the fifteenth century made fresco painting go downhill, and for the next several centuries watercolor was used mainly for doing sketches（草圖）or as a tool for study. It was not until the eighteenth and nineteenth centuries that English painters put back watercolor as a serious art form. The English have a widely-known love for outdoors and also small private pictures. The softness of watercolor had a remarkably strong attraction for them.

The popularity of watercolor continued to grow until the twentieth century. The United States passed England as the center for watercolor, producing such well-known watercolor artists as Thomas Eakins and Andrew Wyeth.

1.The purpose of the passage is to introduce ________.

A. the gradual weakness of fresco painting

B. oil’s power or influence over watercolor

C. the discovery of watercolor in England

D. the start and development of watercolor

2.In the 16^th and 17^th centuries the artists thought ________.

A. watercolor was softer, and thus better.

B. Oil painting lasted longer, and was better.

C. Watercolor wasn’t fit for finished works

D. Watercolor was too hard to use in any works.

3.According to the passage, watercolor painting was put back in England because ______.

A. it was easy to use outdoors     B. it was a strong medium（媒介）

C. it was extremely bright in color.  D. it was suited for popular tastes

4. What would the next paragraph most probably talk about?

   A. The works of famous US watercolor artists.

   B. Modern American oil painters.

   C. The weaknesses of oil as popular paints

   D. Techniques of producing watercolor

 

Watercolor is the oldest paints known. It dates back to the early cave men who discovered they could add lifelike qualities to drawings of animals and other figures on the walls of caves by mixing the natural colors found in the earth with water.

Fresco （壁畫）, one of the greatest of all art forms, is done with watercolor. It is created by mixing paints and water and applying these to wet plaster （灰泥）. Of the thousands of people who stand under Michelangelo’s heroic ceiling in the Sistine Chapel, very few know that they are looking at perhaps the greatest watercolor painting in the world.

The invention of oil painting by the Flemish masters in the fifteenth century made fresco painting go downhill, and for the next several centuries watercolor was used mainly for doing sketches（草圖）or as a tool for study. It was not until the eighteenth and nineteenth centuries that English painters put back watercolor as a serious art form. The English have a widely-known love for outdoors and also small private pictures. The softness of watercolor had a remarkably strong attraction for them.

The popularity of watercolor continued to grow until the twentieth century. The United States passed England as the center for watercolor, producing such well-known watercolor artists as Thomas Eakins and Andrew Wyeth.

1．The purpose of the passage is to introduce ________.

       A．the gradual weakness of fresco painting

       B．oil’s power or influence over watercolor

       C．the discovery of watercolor in England

       D．the start and development of watercolor

2．In the 16^th and 17^th centuries the artists thought ________.

       A．watercolor was softer, and thus better.

       B．Oil painting lasted longer, and was better.

       C．Watercolor wasn’t fit for finished works

       D．Watercolor was too hard to use in any works.

3．According to the passage, watercolor painting was put back in England because ______.

       A．it was easy to use outdoors               B．it was a strong medium（媒介）

       C．it was extremely bright in color.           D．it was suited for popular tastes

4．What would the next paragraph most probably talk about?

     A．The works of famous US watercolor artists.

     B．Modern American oil painters.

     C．The weaknesses of oil as popular paints

     D．Techniques of producing watercolor

Watercolor（水彩畫） is the oldest paints known. It dates back to the early cave men. They discovered that they could mix the natural colors found in the earth with water. In this way they could add lifelike qualities to drawings of animals and other figures on the wall of caves.

Fresco（壁畫）, one of the greatest art forms, is done with watercolor, it is created by mixing paints and water and applying these to wet plaster（灰泥）. Of the thousands of people who stand under Michelangelos’ works in the Sistine Chapel, very few know they are looking at perhaps the greatest watercolor painting in the world.

 The invention of oil painting by the Glemish masters in the fifteenth century made fresco painting go downhill, and for the next several centuries watercolor was used mainly for doing sketches（素描） or as tool for study. It was not until the eighteenth and nineteenth centuries that English painters put back watercolor as a serious art form. The English have widely-known love for the outdoors and also for small, private pictures. The softness of watercolor had a strong attraction for them.

The popularity of watercolor continued to grow until the twentieth century. The United States took the place of England and became the center of watercolor. It produced such well-known watercolor artists as Thomas Eakins and Andrew Wyeth.

The first watercolor users were___________

A. the early cave men              

B. Italian fresco artists

C. Flemish masters                 

D. the English artists in the 18th century

In the 16th and 17th centuries the artists thought__________.

A .watercolor was more costly, but better

B. oil painting lasted less long, but clearer and brighter

C. watercolor was not suitable for serious works

D. oil painting was difficult to use

According to the passage, watercolor painting was put back in England because ______

A. it was easy to use outdoors        

B. it was a strong tool

C. it was extremely bright in color    

D. it was well suited to popular tastes

What is the passage mainly about?________

A. the gradual weakness of fresco painting.

 B. Oils having more power of influence over watercolor.

C. The rediscovery of watercolor in England.

D. The start and development of watercolor.

Watercolor（水彩畫） is the oldest paints known. It dates back to the early cave men. They discovered that they could mix the natural colors found in the earth with water. In this way they could add lifelike qualities to drawings of animals and other figures on the wall of caves.
Fresco（壁畫）, one of the greatest art forms, is done with watercolor, it is created by mixing paints and water and applying these to wet plaster（灰泥）. Of the thousands of people who stand under Michelangelos’ works in the Sistine Chapel, very few know they are looking at perhaps the greatest watercolor painting in the world.
The invention of oil painting by the Glemish masters in the fifteenth century made fresco painting go downhill, and for the next several centuries watercolor was used mainly for doing sketches（素描） or as tool for study. It was not until the eighteenth and nineteenth centuries that English painters put back watercolor as a serious art form. The English have widely-known love for the outdoors and also for small, private pictures. The softness of watercolor had a strong attraction for them.
The popularity of watercolor continued to grow until the twentieth century. The United States took the place of England and became the center of watercolor. It produced such well-known watercolor artists as Thomas Eakins and Andrew Wyeth.
【小題1】 The first watercolor users were___________

A．the early cave men

B．Italian fresco artists

C．Flemish masters

D．the English artists in the 18th century

【小題2】 In the 16th and 17th centuries the artists thought__________.

A．watercolor was more costly, but better

B．oil painting lasted less long, but clearer and brighter

C．watercolor was not suitable for serious works

D．oil painting was difficult to use

【小題3】 According to the passage, watercolor painting was put back in England because ______

A．it was easy to use outdoors

B．it was a strong tool

C．it was extremely bright in color

D．it was well suited to popular tastes

【小題4】 What is the passage mainly about?________

A．the gradual weakness of fresco painting.

B．Oils having more power of influence over watercolor.

C．The rediscovery of watercolor in England.

D．The start and development of watercolor.

Watercolor（水彩畫） is the oldest paints known. It dates back to the early cave men. They discovered that they could mix the natural colors found in the earth with water. In this way they could add lifelike qualities to drawings of animals and other figures on the wall of caves.

Fresco（壁畫）, one of the greatest art forms, is done with watercolor, it is created by mixing paints and water and applying these to wet plaster（灰泥）. Of the thousands of people who stand under Michelangelos’ works in the Sistine Chapel, very few know they are looking at perhaps the greatest watercolor painting in the world.

 The invention of oil painting by the Glemish masters in the fifteenth century made fresco painting go downhill, and for the next several centuries watercolor was used mainly for doing sketches（素描） or as tool for study. It was not until the eighteenth and nineteenth centuries that English painters put back watercolor as a serious art form. The English have widely-known love for the outdoors and also for small, private pictures. The softness of watercolor had a strong attraction for them.

The popularity of watercolor continued to grow until the twentieth century. The United States took the place of England and became the center of watercolor. It produced such well-known watercolor artists as Thomas Eakins and Andrew Wyeth.

1. The first watercolor users were___________

A. the early cave men               

B. Italian fresco artists

C. Flemish masters                  

D. the English artists in the 18th century

2. In the 16th and 17th centuries the artists thought__________.

A .watercolor was more costly, but better

B. oil painting lasted less long, but clearer and brighter

C. watercolor was not suitable for serious works

D. oil painting was difficult to use

3. According to the passage, watercolor painting was put back in England because ______

A. it was easy to use outdoors        

B. it was a strong tool

C. it was extremely bright in color    

D. it was well suited to popular tastes

4. What is the passage mainly about?________

A. the gradual weakness of fresco painting.

 B. Oils having more power of influence over watercolor.

C. The rediscovery of watercolor in England.

D. The start and development of watercolor.