My father’s reaction to the bank building at 43rd Street and Fifth Avenue in New York city was immediate and definite: “You won’t catch me putting my money in there!” he declared, “Not in that glass box!”

　  Of course, my father is a gentleman of the old school, a member of the generation to whom a good deal of modern architecture is upsetting, but I am convinced that his negative response was not so much to the architecture as to a violation of his concept of the nature of money. In his generation money was thought of as a real commodity (實(shí)物) that could be carried, or stolen.

　　Consequently, to attract the custom of a sensible man, a bank had to have heavy walls, barred windows, and bronze doors, to affirm the fact, however untrue, that money would be safe inside. If a building’s design made it appear impenetrable（難以滲透的), the institution was necessarily reliable, and the meaning of the heavy wall as an architecture symbol reflected people’s prevailing attitude toward money.

　　But the attitude toward money has, of course, changed. Excepting pocket money, cash of any kind is now rarely used; money as a tangible commodity has largely been replaced by credit. A deficit (赤字) economy, accompanied by huge expansion, has led us to think of money as product of the creative imagination. The banker no longer offers us a safe: he offers us a service in which the most valuable element is the creativity for the invention of large numbers. It is in no way surprising, in view of this change in attitude, that we are witnessing the disappearance of the heavy-walled bank.

　　Just as the older bank emphasized its strength, this bank by its architecture boasts of imaginative powers. From this point of view it is hard to say where architecture ends and human assertion (人們的說法) begins.

36. The main idea of this passage is that________.

A. money is not as valuable as it was in the past

B. changes have taken place in both the appearance and the concept of banks

C. the architectural style of the older bank is superior to that of the modern bank

D. prejudice makes the older generation think that the modern bank is unreliable

37. How do the older generation and the younger one think about money respectively?

A. The former thinks more of money than the latter.

B. The younger generation values money more than the older generation.

C. Both generations rely on the imaginative power of bankers to make money.

D. To the former money is a real commodity but to the latter be a means to produce more money.

38. The words “tangible commodity” (Line 2, Para. 4) refer to something ______.

　 A. that can be replaceable              B. that is usable

　 C. that can be touched                 D. that can be reproduced

39. According to this passage, a modern banker should be _______.

A. ambitious and friendly                             B. reliable and powerful

C. sensible and impenetrable                         D. imaginative and creative

40. It can be inferred from the passage that the author’s attitude towards the new trend in banking is _______.

A. cautious        B. regretful       C. positive        D. hostile

My father’s reaction to the bank building at 43rd Street and Fifth Avenue in New York city was immediate and definite: “You won’t catch me putting my money in there!” he declared, “Not in that glass box!”
　  Of course, my father is a gentleman of the old school, a member of the generation to whom a good deal of modern architecture is upsetting, but I am convinced that his negative response was not so much to the architecture as to a violation of his concept of the nature of money. In his generation money was thought of as a real commodity (實(shí)物) that could be carried, or stolen.
　　Consequently, to attract the custom of a sensible man, a bank had to have heavy walls, barred windows, and bronze doors, to affirm the fact, however untrue, that money would be safe inside. If a building’s design made it appear impenetrable（難以滲透的), the institution was necessarily reliable, and the meaning of the heavy wall as an architecture symbol reflected people’s prevailing attitude toward money.
　　But the attitude toward money has, of course, changed. Excepting pocket money, cash of any kind is now rarely used; money as a tangible commodity has largely been replaced by credit. A deficit (赤字) economy, accompanied by huge expansion, has led us to think of money as product of the creative imagination. The banker no longer offers us a safe: he offers us a service in which the most valuable element is the creativity for the invention of large numbers. It is in no way surprising, in view of this change in attitude, that we are witnessing the disappearance of the heavy-walled bank.
　　Just as the older bank emphasized its strength, this bank by its architecture boasts of imaginative powers. From this point of view it is hard to say where architecture ends and human assertion (人們的說法) begins.
36. 【小題1】The main idea of this passage is that________.

A．money is not as valuable as it was in the past

B．changes have taken place in both the appearance and the concept of banks

C．the architectural style of the older bank is superior to that of the modern bank

D．prejudice makes the older generation think that the modern bank is unreliable

37. 【小題2】How do the older generation and the younger one think about money respectively?

A．The former thinks more of money than the latter.

B．The younger generation values money more than the older generation.

C．Both generations rely on the imaginative power of bankers to make money.

D．To the former money is a real commodity but to the latter be a means to produce more money.

38. 【小題3】The words “tangible commodity” (Line 2, Para. 4) refer to something ______.

A．that can be replaceable	B．that is usable
C．that can be touched	D．that can be reproduced

39. 【小題4】According to this passage, a modern banker should be _______.

A．a(chǎn)mbitious and friendly	B．reliable and powerful
C．sensible and impenetrable	D．imaginative and creative

40. 【小題5】It can be inferred from the passage that the author’s attitude towards the new trend in banking is _______.

A．cautious

B．regretful

C．positive

D．hostile

My father’s reaction to the bank building at 43rd Street and Fifth Avenue in New York city was immediate and definite: “You won’t catch me putting my money in there!” he declared, “Not in that glass box!”

　  Of course, my father is a gentleman of the old school, a member of the generation to whom a good deal of modern architecture is upsetting, but I am convinced that his negative response was not so much to the architecture as to a violation of his concept of the nature of money. In his generation money was thought of as a real commodity (實(shí)物) that could be carried, or stolen.

　　Consequently, to attract the custom of a sensible man, a bank had to have heavy walls, barred windows, and bronze doors, to affirm the fact, however untrue, that money would be safe inside. If a building’s design made it appear impenetrable（難以滲透的), the institution was necessarily reliable, and the meaning of the heavy wall as an architecture symbol reflected people’s prevailing attitude toward money.

　　But the attitude toward money has, of course, changed. Excepting pocket money, cash of any kind is now rarely used; money as a tangible commodity has largely been replaced by credit. A deficit (赤字) economy, accompanied by huge expansion, has led us to think of money as product of the creative imagination. The banker no longer offers us a safe: he offers us a service in which the most valuable element is the creativity for the invention of large numbers. It is in no way surprising, in view of this change in attitude, that we are witnessing the disappearance of the heavy-walled bank.

　　Just as the older bank emphasized its strength, this bank by its architecture boasts of imaginative powers. From this point of view it is hard to say where architecture ends and human assertion (人們的說法) begins.

36. 1.The main idea of this passage is that________.

A．money is not as valuable as it was in the past

B．changes have taken place in both the appearance and the concept of banks

C．the architectural style of the older bank is superior to that of the modern bank

D．prejudice makes the older generation think that the modern bank is unreliable

37. 2.How do the older generation and the younger one think about money respectively?

A．The former thinks more of money than the latter.

B．The younger generation values money more than the older generation.

C．Both generations rely on the imaginative power of bankers to make money.

D．To the former money is a real commodity but to the latter be a means to produce more money.

38. 3.The words “tangible commodity” (Line 2, Para. 4) refer to something ______.

A．that can be replaceable	B．that is usable
C．that can be touched	D．that can be reproduced

39. 4.According to this passage, a modern banker should be _______.

A．a(chǎn)mbitious and friendly	B．reliable and powerful
C．sensible and impenetrable	D．imaginative and creative

40. 5.It can be inferred from the passage that the author’s attitude towards the new trend in banking is _______.

A．cautious

B．regretful

C．positive

D．hostile

 

My father's reaction to the bank building at 43rd Street and Fifth Avenue in New York city was immediate and definite: "You won't catch me putting my money in there!" he declared, "Not in that glass box!"

       Of course, my father is a gentleman of the old school, a member of the generation to whom a good deal of modern architecture is upsetting, but I am convinced that his negative response was not so much to the architecture as to a violation of his concept of the nature of money ．

       In his generation money was thought of as a real commodity （實(shí)物）that could be carried, or stolen．Consequently, to attract the custom of a sensible man, a bank had to have heavy walls, barred windows, and bronze（青銅） doors, to affirm the fact, however untrue, that money would be safe inside．If a building's design made it appear impenetrable（難以滲透的）, the institution（公共機(jī)構(gòu), 協(xié)會(huì), 制度）was necessarily reliable, and the meaning of the heavy wall as an architecture symbol dwelt in the prevailing attitude toward money．

       But the attitude toward money has, of course, changed．Excepting pocket money, cash of any kind is now rarely used; money as a tangible（切實(shí)，實(shí)在）commodity has largely been replaced by credit．A deficit （赤字） economy, accompanied by huge expansion, has led us to think of money as product of the creative imagination．The banker no longer offers us a safe: he offers us a service in which the most valuable element is the creativity for the invention of large numbers．It is in no way surprising, in view of this change in attitude, that we are witnessing the disappearance of the heavy-walled bank．

       Just as the older bank emphasized its strength, this bank by its architecture boasts of imaginative powers．From this point of view it is hard to say where architecture ends and human assertion （人們的說法）begins．

1．The main idea of this passage is that________．

       A．money is not as valuable as it was in the past

       B．changes have taken place in both the appearance and the concept of banks

       C．the architectural style of the older bank is superior to that of the modern bank

       D．prejudice makes the older generation think that the modern bank is unreliable

2．How do the older generation and the younger one think about money?

       A．The former thinks more of money than the latter．

       B．The younger generation values money more than the older generation．

       C．Both generations rely on the imaginative power of bankers to make money．

       D．To the former money is a real commodity but to the latter be a means to produce more money．

3．According to this passage, a modern banker should be ．

       A．a(chǎn)mbitious and friendly                         B．reliable and powerful

       C．sensible and impenetrable                     D．imaginative and creative

4．It can be inferred from the passage that the author's attitude towards the new trend in banking is ．

       A．cautious   B．regretful    C．positive    D．hostile（敵意的）

My father's reaction to the bank building at 43rd Street and Fifth Avenue in New York city was immediate and definite: "You won't catch me putting my money in there!" he declared, "Not in that glass box !"

Of course, my father is a gentleman of the old school, a member of the generation to whom a good deal of modern architecture is upsetting, but I am convinced that his negative response was not so much to the architecture as to a violation of his concept of the nature of money .

In his generation money was thought of as a real commodity (實(shí)物)that could be carried, or stolen. Consequently, to attract the custom of a sensible man, a bank had to have heavy walls, barred windows, and bronze（青銅）doors, to affirm the fact, however untrue, that money would be safe inside. If a building's design made it appear impenetrable（難以滲透的）, the institution（公共機(jī)構(gòu), 協(xié)會(huì), 制度）was necessarily reliable, and the meaning of the heavy wall as an architecture symbol dwelt in the prevailing attitude toward money.

But the attitude toward money has, of course, changed. Excepting pocket money, cash of any kind is now rarely used; money as a tangible（切實(shí)，實(shí)在）commodity has largely been replaced by credit. A deficit (赤字) economy, accompanied by huge expansion, has led us to think of money as product of the creative imagination. The banker no longer offers us a safe: he offers us a service in which the most valuable element is the creativity for the invention of large numbers. It is in no way surprising, in view of this change in attitude, that we are witnessing the disappearance of the heavy-walled bank.

Just as the older bank emphasized its strength, this bank by its architecture boasts of imaginative powers. From this point of view it is hard to say where architecture ends and human assertion (人們的說法)begins.

61、The main idea of this passage is that ________.

A．money is not as valuable as it was in the past

B．the architectural style of the older bank is superior to that of the modern bank

C．changes have taken place in both the appearance and the concept of banks

D．prejudice makes the older generation think that the modern bank is unreliable

62、How do the older generation and the younger one think about money?

A．The former thinks more of money than the latter.

B．The younger generation values money more than the older generation.

C．Both generations rely on the imaginative power of bankers to make money.

D．To the former money is a real commodity but to the latter it is a means to produce more money.

63、According to this passage, a modern banker should be _____.

A．imaginative and creative             B．reliable and powerful

C．sensible and impenetrable                     D．a(chǎn)mbitious and friendly

64、It can be inferred from the passage that the author's attitude towards the new trend in banking is ______. 

A．cautious         B．regretful           C．positive           D．hostile(敵意的)

65、Cash is rarely used nowadays because _______.

A. it is no longer needed                  B. it is no longer useful

C. it is often replaced by credit cards        D.credit cards took place.

My father's reaction to the bank building at 43rd Street and Fifth Avenue in New York city was immediate and definite: "You won't catch me putting my money in there!" he declared, "Not in that glass box !"

Of course, my father is a gentleman of the old school, a member of the generation to whom a good deal of modern architecture is upsetting, but I am convinced that his negative response was not so much to the architecture as to a violation of his concept of the nature of money .

In his generation money was thought of as a real commodity (實(shí)物)that could be carried, or stolen. Consequently, to attract the custom of a sensible man, a bank had to have heavy walls, barred windows, and bronze（青銅） doors, to affirm the fact, however untrue, that money would be safe inside. If a building's design made it appear impenetrable（難以滲透的）, the institution（公共機(jī)構(gòu), 協(xié)會(huì), 制度）was necessarily reliable, and the meaning of the heavy wall as an architecture symbol dwelt in the prevailing attitude toward money.

But the attitude toward money has, of course, changed. Excepting pocket money, cash of any kind is now rarely used; money as a tangible（切實(shí)，實(shí)在）commodity has largely been replaced by credit. A deficit (赤字) economy, accompanied by huge expansion, has led us to think of money as product of the creative imagination. The banker no longer offers us a safe: he offers us a service in which the most valuable element is the creativity for the invention of large numbers. It is in no way surprising, in view of this change in attitude, that we are witnessing the disappearance of the heavy-walled bank.

Just as the older bank emphasized its strength, this bank by its architecture boasts of imaginative powers. From this point of view it is hard to say where architecture ends and human assertion (人們的說法)begins.

67. The main idea of this passage is that________  .

A．money is not as valuable as it was in the past

B．changes have taken place in both the appearance and the concept of banks

C．the architectural style of the older bank is superior to that of the modern bank

D．prejudice makes the older generation think that the modern bank is unreliable[來

68. How do the older generation and the younger one think about money?

A．The former thinks more of money than the latter.

B．The younger generation values money more than the older generation.

C．Both generations rely on the imaginative power of bankers to make money.

D．To the former money is a real commodity but to the latter be a means to produce more money.

69. According to this passage, a modern banker should be __________.

A．a(chǎn)mbitious and friendly                        B．reliable and powerful

C．sensible and impenetrable                    D．imaginative and creative

70. It can be inferred from the passage that the author's attitude towards the new trend in banking is _______.

A．cautious   B．regretful C．positive    D．hostile(敵意的)

閱讀理解

閱讀下列短文，從每題所給的A、B、C、D四個(gè)選項(xiàng)中，選出最佳選項(xiàng)，并在正確選項(xiàng)上畫勾。

　　My father's reaction to the bank building at 43^rd Street and Fifth Avenue in New York City was immediate and definite: “You won't catch me putting my money in there!” he declared. “Not in that glass box!”

　　Of course, my father is a gentleman of the old school, a member of the generation to whom a good deal of modern architecture (建筑) is upsetting, but I am convinced that his negative response was not so much to the architecture as to a violation of his concept of the nature of money.

　　In his generation money was thought of as a real commodity (實(shí)物) that could be carried, or stolen. So, to attract the custom of a sensible man, a bank had to have heavy walls, barred windows, and bronze doors, to affirm the fact, however untrue, that money would be safe inside. If a building's design made it appear impenetrable (無法穿透的) the institution was necessarily reliable, and the meaning of the heavy wall as an architecture symbol dwelt in the popular attitude toward money.

　　But that attitude toward money has of course changed. Excepting pocket money, cash of any kind is now rarely used; money as a tangible commodity has largely been replaced by credit. A deficit (赤字) economy, accompanied by huge expansion, has led us to think of money as a product of the creative imagination. The banker no longer offers us a safe: he offers us a servicea service in which the most valuable element is the creativity necessary for the generation of greater wealth. It is in no way surprising, in view of this change in attitude, that we are watching the disappearance of the heavy-walled bank.

　　Just as the older bank emphasized its strength, this bank by its architecture boasts (吹噓) of its imaginative powers. From this point of view it is hard to say where architecture ends and human assertion (人們的說法) begins.

1．The main idea of this passage is that ________.

[　　]

A．money is not as valuable as it might have been in the past

B．the architectural style of the older bank is superior to that of the modern bank

C．changes have taken place in both the appearance and the concept of banks

D．prejudice makes the older generation think that the modern bank is unreliable

2．What are the attitudes of the older generation and the younger generation toward money?

[　　]

A．The former thinks more of it than the latter.

B．The younger generation values money more than the older generation.

C．Both generations rely on the imaginative power of bankers to make money whatever the bank might look like.

D．The former regards it as a real commodity while the latter considers it to be a means to produce more money.

3．The word “tangible” refers to something ________.

[　　]

4．It can be inferred from the passage that the author's attitude towards the new trend in banking is ________.

[　　]