Most young architects—particularly those in big cities— can only dream about working in a building of their own. And making that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his partner, Brain Bell. Their building is a former automobile electrical-parts film in AtlantA．Form the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting（生銹的）walls.

In 2000, Yocum and Bell found this building in the city’s West End. Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down. But the price was right, so Yocum bought it. He spent eight months of his off-hours on demolition（排除）, pulling rubbish out through the roof, because it was too dangerous to go inside the building. The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there— the walls, the rust, the light.” Yocum said. “Every season, more paint falls off the walls and more rust develops. It’s like an art installation（裝置） in there—a slow-motion show.”

Since the back building had been constructed without windows, an all-glass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof. The back of the building is a working area and a living room for Yocum and his wife. A sort of buffer（緩沖） zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allow views through to the front of the studio and the courtyard beyond.

Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from the decoration of their building, focusing on the inside rather than the outside, has influenced their work. It has also given these architects a chance to show how they can make more out of less.

1．According to the passage, it is _______ for most young architects in big cities to work in a building of their own.

A．easy               B．unnecessary           C．unrealistic              D．common

2．Yocum bought the old building because _____.

    A．it was a bargain to him                         B．it was still in good condition

    C．it was located in the city center          D．it looked attractive from the outside

3．Working on the old building, Yocum and Bell _______.

    A．pulled rubbish out through the roof

    B．removed the skylights from the bathroom

    C．presented a slow-motion show in an art gallery

    D．built a kitchen at the back part of the old building

4．It can be inferred from the passage that Yocum and Bell _____.

    A．benefited a lot from pulling down the roof

    B．turned more old buildings into art galleries

    C．got inspiration from decorating their old building

    D．paid more attention to the outside of the art gallery

5．The main idea of the passage is that ______.

    A．people can learn a lot from their failures.

    B．it is worthwhile to spend money on an old building

    C．people should not judge things by their appearance

D．creative people can make the best of what they have

Most young architects — particularly those in big cities — can only dream about working in a building of their own．And making that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his partner, Brain Bell．Their building is a former automobile electrical-parts firm in Atlanta．From the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting （生銹的）walls．

In 2000, Yocum and Bell found this building in the city’s West End．Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down．But the price was right, so Yocum bought it．He spent eight months of his off-hours on demolition （排除）, pulling rubbish out through the roof, because it was too dangerous to go inside the building．The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there — the walls, the rust, the light．” Yocum said．“Every season, more paint falls off the walls and more rust develops．It’s like an art installation （裝置） in there — a slow-motion show．”

Since the back building had been constructed without windows, an all-glass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof．The back of the building is a working area and a living room for Yocum and his wife．A sort of buffer （緩沖） zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allow views through to the front of the studio and the courtyard beyond．

Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from the decoration of their building, focusing on the inside rather than the outside, has influenced their work．It has also given these architects a chance to show how they can make more out of less．

1．According to the passage, it is _______ for most young architects in big cities to work in a building of their own．

       A．easy                    B．unnecessary        C．unrealistic            D．common

2．Yocum bought the old building because _______．

       A．it was a bargain to him

       B．it was still in good condition

       C．it was located in the city center

       D．it looked attractive from the outside

3．Working on the old building, Yocum and Bell _______．

       A．pulled rubbish out through the roof

       B．removed the skylights from the bathroom

       C．presented a slow-motion show in an art gallery

       D．built a kitchen at the back part of the old building

4．It can be inferred from the passage that Yocum and Bell _______．

       A．benefited a lot from pulling down the roof

       B．turned more old buildings into art galleries

       C．got inspiration from decorating their old building

       D．paid more attention to the outside of the art gallery

5．The main idea of the passage is that _______．

       A．people can learn a lot from their failures

       B．it is worthwhile to spend money on an old building

       C．people should not judge things by their appearance

       D．creative people can make the best of what they have

Most young architects ----particularly those in big cities ----can only dream about working in a building of their own. And marking that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his partner, Brain Bell. Their building is a former automobile electrical –parts firm in Atlanta. Form the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting(生銹的) walls.

In 2000, Yocum and Bell found this building in the city’s West End. Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down. But the price was right, so Yocum bought it. He spent eight months of his off-hours on demolition(拆除), pulling rubbish out through the roof, because it was too dangerous to go inside the building, The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there – the walls, the rust, the light,” Yocum said.” Every season, more paint falls off the walls and more rust develops. It’s like an art installation(裝置) in there-a slow-motion show.”

 Since the back building had been constructed without windows, an all-glass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof. The back of the building is a working area and a living room for Yocum and his wife. A sort of buffer(緩沖) zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allow views through to the front of the studio and the courtyard beyond.

Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from the decoration of their building, focusing on the inside rather than the outside, has influenced their work. It has also given these architects a chance to show how they can make more out of less.

41. According to the passage, it is       for most young architects in big cities to work in a building of their own.

A. easy            B. unnecessary          C. unrealistic      D. common

42．Yocum bought the old building because  _ _  .

A. it was a bargain to him

B. it was still in good condition

C. it was located in the city center

D. it looked attractive from the outside

43. Working on the old building, Yocum and bell＿.

A. pulled rubbish out through the roof

B. removed the skylights from the bathroom

C. presented a slow–motion show in an art gallery

D. built a kitchen at the back part of the old building

44. It can be inferred from the passage that Yocum and Bell __.

A. benefited a lot from pulling down the roof

B. turned more old buildings into art galleries

C. got inspiration from decorating their old building

D. paid more attention to the outside of the gallery

45. The main idea of the passage is that __.

A. people can learn a lot from their failures

B. it is worthwhile to spend money on an old building

C. people should not judge things by their appearance

D. creative people can make the best of what they have

Most young architects ----particularly those in big cities ----can only dream about working in a building of their own. And marking that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his partner, Brain Bell. Their building is a former automobile electrical –parts firm in Atlanta. Form the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting(生銹的) walls.

In 2000, Yocum and Bell found this building in the city’s West End. Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down. But the price was right, so Yocum bought it. He spent eight months of his off-hours on demolition(拆除), pulling rubbish out through the roof, because it was too dangerous to go inside the building, The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there – the walls, the rust, the light,” Yocum said.” Every season, more paint falls off the walls and more rust develops. It’s like an art installation(裝置) in there-a slow-motion show.”

 Since the back building had been constructed without windows, an all-glass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof. The back of the building is a working area and a living room for Yocum and his wife. A sort of buffer(緩沖) zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allow views through to the front of the studio and the courtyard beyond.

Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from decoration of their building, focusing on the inside rather than the outside, has influenced their work. It has also given these architects a chance to show how they can make more out of less.

According to the passage, it is       for most young architects in big cities to work in a building of their own.

A. easy            B. unnecessary          C. unrealistic      D. common

Yocum bought the old building because  __.

A. it was a bargain to him             B. it was still in good condition

C. it was located in the city center       D. it looked attractive from the outside

Working on the old building, Yocum and Bell＿.

A. pulled rubbish out through the roof             B. removed the skylights from the bathroom

C. presented a slow–motion show in an art gallery  

D. built a kitchen at the back part of the old building

It can be inferred from the passage that Yocum and Bell __.

A. benefited a lot from pulling down the roof      B. turned more old buildings into art galleries

C. got inspiration from decorating their old building

D. paid more attention to the outside of the gallery

The main idea of the passage is that __.

A. people can learn a lot from their failures

B. it is worthwhile to spend money on an old building

C. people should not judge things by their appearance

D. creative people can make the best of what they have

Most young architects ----particularly those in big cities ----can only dream about working in a building of their own. And marking that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his partner, Brain Bell. Their building is a former automobile electrical –parts firm in Atlanta. Form the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting(生銹的) walls.
In 2000, Yocum and Bell found this building in the city’s West End. Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down. But the price was right, so Yocum bought it. He spent eight months of his off-hours on demolition(拆除), pulling rubbish out through the roof, because it was too dangerous to go inside the building, The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there – the walls, the rust, the light,” Yocum said.” Every season, more paint falls off the walls and more rust develops. It’s like an art installation(裝置) in there-a slow-motion show.”
Since the back building had been constructed without windows, an all-glass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof. The back of the building is a working area and a living room for Yocum and his wife. A sort of buffer(緩沖) zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allow views through to the front of the studio and the courtyard beyond.
Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from decoration of their building, focusing on the inside rather than the outside, has influenced their work. It has also given these architects a chance to show how they can make more out of less.
【小題1】 According to the passage, it is      for most young architects in big cities to work in a building of their own.

Most young architects ----particularly those in big cities ----can only dream about working in a building of their own. And making that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his partner, Brain Bell. Their building is a former automobile electrical –parts firm in Atlanta. From the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting (生銹的)walls.

    In 2000, Yocum and Bell found this building in the city’s West End. Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down. But the price was right, so Yocum bought it. He spent eight months of his off-hours on demolition (拆除), pulling rubbish out through the roof, because it was too dangerous to go inside the building. The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there—the walls, the rust, the light,” Yocum said. “Every season , more paint falls off the walls and more rust develops. It’s like an art installation（裝置）there---a slow-motion show.”

    Since the back building had been constructed without windows, an all-glass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof. The back of the building is a working area and a living room for Yocum and his wife. A sort of buffer(緩沖)zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allow views through to the front of the studio and the courtyard beyond.

    Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from decoration of their building, focusing on the inside rather than the outside, has influenced their work. It has also given these architects a chance to show how they can make more out of less.

63. According to the passage, it is       for most young architects in big cities to work in a building of their own.

A. easy        B. unnecessary        C. unrealistic      D. common

64. Yocum bought the old building because        .

A. it was a bargain to him           B. it was still in good condition

C. it was located in the city center    D. it looked attractive from the outside

65. It can be inferred from the passage that Yocum and Bell       .

A. benefited a lot from pulling down the roof       

B. turned more old buildings into art galleries

C. got inspiration from decorating their old building  

D. paid more attention to the outside of the gallery

66. The main idea of the passage is that        .

A. people can learn a lot from their failures

B. it is worthwhile to spend money on an old building

C. people should not judge things by their appearance

D. creative people can make the best of what they have

Most young architects ----particularly those in big cities ----can only dream about working in a building of their own. And marking that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his partner, Brain Bell. Their building is a former automobile electrical –parts firm in Atlanta. Form the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting(生銹的) walls.

In 2000, Yocum and Bell found this building in the city’s West End. Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down. But the price was right, so Yocum bought it. He spent eight months of his off-hours on demolition(拆除), pulling rubbish out through the roof, because it was too dangerous to go inside the building, The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there – the walls, the rust, the light,” Yocum said.” Every season, more paint falls off the walls and more rust develops. It’s like an art installation(裝置) in there-a slow-motion show.”

 Since the back building had been constructed without windows, an all-glass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof. The back of the building is a working area and a living room for Yocum and his wife. A sort of buffer(緩沖) zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allow views through to the front of the studio and the courtyard beyond.

Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from decoration of their building, focusing on the inside rather than the outside, has influenced their work. It has also given these architects a chance to show how they can make more out of less.

1. According to the passage, it is       for most young architects in big cities to work in a building of their own.

A. easy            B. unnecessary          C. unrealistic      D. common

2. Yocum bought the old building because  __.

A. it was a bargain to him             B. it was still in good condition

C. it was located in the city center       D. it looked attractive from the outside

3. Working on the old building, Yocum and Bell＿.

A. pulled rubbish out through the roof             B. removed the skylights from the bathroom

C. presented a slow–motion show in an art gallery  

D. built a kitchen at the back part of the old building

4. It can be inferred from the passage that Yocum and Bell __.

A. benefited a lot from pulling down the roof      B. turned more old buildings into art galleries

C. got inspiration from decorating their old building

D. paid more attention to the outside of the gallery

5. The main idea of the passage is that __.

A. people can learn a lot from their failures

B. it is worthwhile to spend money on an old building

C. people should not judge things by their appearance

D. creative people can make the best of what they have

Most young architects―particularly those in big cities― can only dream about working in a building of their own. And making that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his parter, Brain Bell. Their building is a former automobile electrical-parts film in Atlanta. Form the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting(生銹的)walls.

In 2000, Yocum and Bell found this building in the city’s West End. Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down. But the price was right, so Yocum bought it. He spent eight months of his off-hours on demolition(排除), pulling rubbish out through the roof, because it was too dangerous to go inside the building. The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there― the walls, the rust, the light.” Yocum said. “Every season, more paint falls off the walls and more rust develops. It’s like an art installation(裝置) in there―a slow-motion show.”

Since the back building hade been constructed without windows, an all-glass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof. The back fo the building is a working area and a living room for Yocum and his wife. A sort of buffer(緩沖) zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allpw views through to the front of the studio and the courtyard beyond.

Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from the decoration of their building, focusing on the inside rather than the outside, has influenced their work. It has also given these architers a chance to show how they can make more out of less.

60. According to the passage, it is _______ for most young architects in big cities to work in a

   Building of their own.

   A. easy   B. unnecessary  C. unrealistic  D. common

61. Yocum bought the old building because _____.

   A. it was a bargain to him

   B. it was still in good condition

   C. it was located in the city center

   D. it looked attractive from the outside

62. Working on the old building, Yocum and Bell _______.

   A. pulled rubbish out through the roof

   B. removed the skylights from the bathroom

   C. presentd a slow-motion show in an art gallery

   D. built a kitchen at the back part of the old buiding

63. It can be inferred from the passage that Yocum and Bell _____.

   A. benefited a lot from pulling down the roof

   B. turned more old buildings into art galleries

   C. got inspiration from decorating their old building

   D. paid more attention to the outside of the art gallery

64. The main idea of the passage is that ______.

   A. people can learn a lot from their failures.

   B. it is worthwhile to spend money on an old building

   C. people should not judge things by their appearance

   D. creative people can make the best of what they have

Most young architects ----particularly those in big cities ----can only dream about working in a building of their own. And marking that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his partner, Brain Bell. Their building is a former automobile electrical –parts firm in Atlanta. Form the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting(生銹的) walls.
In 2000, Yocum and Bell found this building in the city’s West End. Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down. But the price was right, so Yocum bought it. He spent eight months of his off-hours on demolition(拆除), pulling rubbish out through the roof, because it was too dangerous to go inside the building, The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there – the walls, the rust, the light,” Yocum said.” Every season, more paint falls off the walls and more rust develops. It’s like an art installation(裝置) in there-a slow-motion show.”
Since the back building had been constructed without windows, an all-glass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof. The back of the building is a working area and a living room for Yocum and his wife. A sort of buffer(緩沖) zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allow views through to the front of the studio and the courtyard beyond.
Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from decoration of their building, focusing on the inside rather than the outside, has influenced their work. It has also given these architects a chance to show how they can make more out of less.

1. 1.

   According to the passage, it is      for most young architects in big cities to work in a building of their own.

   1. A.
      easy
   2. B.
      unnecessary
   3. C.
      unrealistic
   4. D.
      common
2. 2.

   Yocum bought the old building because  __.

   1. A.
      it was a bargain to him
   2. B.
      it was still in good condition
   3. C.
      it was located in the city center
   4. D.
      it looked attractive from the outside
3. 3.

   Working on the old building, Yocum and Bell＿.

   1. A.
      pulled rubbish out through the roof
   2. B.
      removed the skylights from the bathroom
   3. C.
      presented a slow–motion show in an art gallery
   4. D.
      built a kitchen at the back part of the old building
4. 4.

   It can be inferred from the passage that Yocum and Bell __.

   1. A.
      benefited a lot from pulling down the roof
   2. B.
      turned more old buildings into art galleries
   3. C.
      got inspiration from decorating their old building
   4. D.
      paid more attention to the outside of the gallery
5. 5.

   The main idea of the passage is that __.

   1. A.
      people can learn a lot from their failures
   2. B.
      it is worthwhile to spend money on an old building
   3. C.
      people should not judge things by their appearance
   4. D.
      creative people can make the best of what they have

  Most young architects—particularly those in big cities— can only dream about working in a building of their own. And making that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his parter, Brain Bell. Their building is a former automobile electrical-parts film in Atlanta. Form the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting(生銹的)walls.

In 2000, Yocum and Bell found this building in the city’s West End. Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down. But the price was right, so Yocum bought it. He spent eight months of his off-hours on demolition(排除), pulling rubbish out through the roof, because it was too dangerous to go inside the building. The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there— the walls, the rust, the light.” Yocum said. “Every season, more paint falls off the walls and more rust develops. It’s like an art installation(裝置) in there—a slow-motion show.”

Since the back building had been constructed without windows, an all-glass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof. The back of the building is a working area and a living room for Yocum and his wife. A sort of buffer(緩沖) zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allow views through to the front of the studio and the courtyard beyond.

Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from the decoration of their building, focusing on the inside rather than the outside, has influenced their work. It has also given these architects a chance to show how they can make more out of less.

68. According to the passage, it is _______ for most young architects in big cities to work in a building of their own.

       A. easy           B. unnecessary      C. unrealistic      D. common

69. Yocum bought the old building because _____.

      A. it was a bargain to him

      B. it was still in good condition

      C. it was located in the city center

      D. it looked attractive from the outside

70. It can be inferred from the passage that Yocum and Bell _____.

      A. benefited a lot from pulling down the roof

      B. turned more old buildings into art galleries

      C. got inspiration from decorating their old building

      D. paid more attention to the outside of the art gallery

71. The main idea of the passage is that ______.

      A. people can learn a lot from their failures.

      B. it is worthwhile to spend money on an old building

      C. people should not judge things by their appearance

      D. creative people can make the best of what they have