Where Are We Going, Dad? has become one of China's most popular television shows, since its debut (首次登場(chǎng)) in October, averaging more than 600 million viewers each week. Sponsorship rights (冠名權(quán)) for the show's second season were sold for 312 million yuan (about $ 50 million), more than ten times higher than the rights to the first season.
What accounts for its popularity? The show features a new generation of Chinese fathers, who, as part of the country’s new middle class, have faced more problems with modern child-raising techniques such as taking an active role with their children.
Part of the appeal of the show is the chance to throw a glance at the lives of Chinese celebrities (名流) and their children. Audiences are interested in watching the failed attempts of celebrity dads making dinner, doing hair, and disciplining (管教) children -- tasks often left to mothers in a society still influenced by the saying that “men rule outside and women are inside.” “In traditional Chinese culture, fathers are strict and mothers are kind. But on the show, we see fathers who are much gentler on their kids and more involved in their upbringing, ” said Li Minyi, an associate professor. “This show raises an important question for modern Chinese society -- what is the role of fathers in today’s China?”
After each episode (集) goes to air, the Chinese internet explodes with comments on each celebrity's parenting style.
Actor Guo Tao tries to communicate with his son, Shitou, but is seen as a more traditional Chinese father, and has been criticised online for being too harsh. Zhang Liang, a supermodel, is an audience favorite for treating his son, Tiantian, more like a friend. The show’s most famous celebrity, Lin Zhiying, a film star, was originally praised as patient with his son Kimi. But as the season progresses, fans begin to criticise him for raising a spoiled, undisciplined boy. Director Wang Yuelun is at a complete loss when it comes to care of his daughter’s hair.
Even the People's Daily is pleased with the success of the show.
1.Sponsorship rights for the show’s first season were sold for about______.
A. 312 million yuan B. 50 million yuan
C. 31 million yuanD. 600 million yuan
2.According to the passage, the show______.
A. gives audiences the chance to raise the star's children themselves
B. invites some famous film stars to take part in it
C. lets people think about the role of fathers in modern families
D. raises people's concern about women's role in the society
3.The underlined word “harsh" in the fifth paragraph most probably means “______”.
A. carelessB. strictC. clumsyD. kind
4.According to the writer, ______is the most successful father.
A. Guo TaoB. Zhang Liang C. Lin Zhiying D. Wang Yuelun
1.C
2.C
3.B
4.B
【解析】
試題分析:文章介紹了最近很火的一個(gè)節(jié)目《爸爸去哪兒》。在獲得巨大成功的同時(shí),節(jié)目第二季的冠名費(fèi)也備受關(guān)注,3.12億的天價(jià)是第一季的十倍。這個(gè)節(jié)目受歡迎的原因是什么呢?節(jié)目突顯了當(dāng)代中國(guó)新一代爸爸們,在照顧孩子方面遇到的種種問(wèn)題,讓人們開(kāi)始思考爸爸的角色。
1.Sponsorship rights (冠名權(quán)) for the show's second season were sold for 312 million yuan (about $ 50 million), more than ten times higher than the rights to the first season.”可知,第一季的冠名費(fèi)用是第二季的十分之一,第二季是312 million yuan,那么,第一季就是31million yuan,故選C。
2. But on the show, we see fathers who are much gentler on their kids and more involved in their upbringing, ...what is the role of fathers in today’s China?”可知,這個(gè)節(jié)目讓人思考在當(dāng)代家庭里,爸爸的角色是什么,故選C。
3.has been criticised online for being too harsh在《爸爸去哪兒》里,郭濤扮演著一個(gè)嚴(yán)父的角色,得到了網(wǎng)友的指責(zé),harsh與strict同義,故選B。
4.Zhang Liang, a supermodel, is an audience favorite for treating his son, Tiantian, more like a friend.”可知,張亮是最成功的,郭濤、林志穎都受到過(guò)網(wǎng)友的批評(píng),而王岳倫則完全不會(huì)照顧女兒,故選B。
考點(diǎn):社會(huì)類(lèi)短文閱讀
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My mother looked at the sitting room, its furniture disordered for a thorough sweeping, A gun she cast a look toward the window. “Come on, girls! Let’s take string to the boys and watch them
On the way we met Mrs. Patrick, laughing guiltily as if she were doing something wrong, together with her girls.
There never was such a day for flying kited! We played all our fresh string into the boys’ kites and they went up higher and higher .We could hardly distinguish the orange-colored spots of the kites. Now and then we slowly pulled one kite back, watching it dancing up and down it the wind, and finally bringing it down to earth, just for the joy of sending it up again.
Even our fathers dropped their tools and joined us. Our mothers took their turn, laughing like schoolgirls. I think we were all beside ourselves. Parents forgot their duty and their dignity; children forgot their everyday fights and little jealousies. “Perhaps it’s like this in the kingdom of heaven,” I thought confusedly.
It was growing dark before we all walked sleepily back to house. I suppose we had some sort of supper. I suppose there must have been a surface tidying-up, for the house on Sunday looked clean and orderly enough. The strange thing was, we didn't mention that day afterward. I felt a little embarrassed .Surely none of the others had been as excited as I. I locked the memory up in that deepest part of me where we keep “the things that cannot be and yet they are.”
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