A few years ago I had an“aha!”moment regarding handwriting．

    I had in my hand a sheet of paper with handwritten instructions on it for some sort of editorial task．It occurred at first that I did not recognize the handwriting，and then I realized whose it must be．I finally became aware of the fact that I had been working with this colleague for at least a year，maybe two，and yet I did not recognize her handwriting at that point．

    It was a very important event in the computerization of life―a sign that the informal．friendly communication of people working together in an office had changed from notes in pen to instant messages and emails．There was a time when our workdays were filled with little letters，and we recognized one another's handwriting the way we knew voices or faces．

    As a child visiting my father’s office，I was pleased to recognize，in little notes on the desks of his staff，the same handwriting I would see at home in the notes he would leave on the fridge― except that those notes were signed“dad”instead of“RFW”．

    All this has been on my mind because of the talk about The Rise and Fall of Handwriting，a book by Florey．She shows in her book a deep concern about the fall of handwriting and the failure of schools to teach children to write well，but many others argue that people in a digital age can’t be expected to learn to hold a pen．

    I don’t buy it．

    I don’t want to see anyone cut off from the expressive，personal associations that a pen still promotes better than a digital keyboard does．For many a biographer，part of really getting to know their subjects is learning to read their handwriting．

    What some people advocate is teaching one of the many attractive handwritings based on the handwriting of 16th―century Italy．That may sound impossibly grand―as if they want kids to learn to draw by copying classical paintings．However，they have worked in many school systems．

51．Why was the author surprised at not recognizing his colleague’s handwriting?

    A．He had worked with his colleague long enough．

    B．His colleague’s handwriting was so beautiful．

    C．His colleague’s handwriting was so terrible．

    D．He still had a lot of work to do．

52．People working together in an office used to ____________．

    A．talk more about handwriting

    B．take more notes on workdays

    C．know better one another's handwriting

    D．communicate better with one another

53．The author’s father wrote notes in pen _________．

    A．to both his family and his staff

    B．to his family in small letters

    C．to his family on the fridge

    D．to his staff on the desk

54．According to the author，handwritten notes _______．

    A．a(chǎn)re harder to teach in schools

    B．a(chǎn)ttract more attention

    C．a(chǎn)re used only between friends

    D．carry more message

55．We can learn from the passage that the author __________．

    A．thinks it impossible to teach handwriting

    B．does not want to lose handwriting

    C．puts the blame on the computer

    D．does not agree with Florey

Recent studies show that only one out of three people have strong and healthy self-confidence. That  36 two out of every three people simply don’t know the 37 they already have to be successful when it’s  38  there in their hands!  39 if you want others to believe in you, you have to believe in yourself first. Remember: “No one can make you feel inferior (差的) unless you  40 them.” A successful businessman says, “You can’t push anyone up a ladder  41 he knows he can climb himself.”
Many of us have an image  42 , the image（形象）we have of ourselves.  43 one guy put it: “You can’t win a horse race if you think you look  44 on a horse.” To succeed, the first person you have to  45 is yourself! So stop believing your own lies about yourself. Just  46 your mind and you’ll change your life.
One of the most harmful weapons that can kill your success in life is the two little words: “47 ”. You know that people used to   48 that if human beings traveled faster than 30 miles an hour it would  49  our circulation（循環(huán)）of blood and kill us? Thank goodness a few people didn’t believe that  50 thinking, or we wouldn’t be riding in cars, buses, and flying in airplanes today. You’ll never know until you  51  .
Roger Bannister was the first human being to run a mile in less than 4 minutes. But  52 he did it, most people in the world didn’t think it was even   53  Yet only weeks after Bannister did it, suddenly  54 all over the world began running a mile in less than 4 minutes! If we believe something can be done, we’ll  55  do it.

Celebrity（名人）has become one of the most important representatives of popular culture. Fans used to be crazy about a specific film, but now the public tends to base its consumption（消費(fèi)）on the interest of celebrity attached to any given product. Besides, fashion magazines have almost abandoned the practice of putting models on the cover because they don’t sell nearly as well as famous faces. As a result, celebrities have realized their unbelievably powerful marker potential, moving from advertising for others’ products to developing their own

Celebrity clothing lines aren’t a completely new phenomenon, but in the past they were typically aimed at the ordinary consumers, and limited to a few TV actresses. Today they’re started by first-class stars whose products enjoy equal fame with some world top brands. The most successful start-ups have been those by celebrities with specific personal style. As celebrities become more and more experienced at the market, they expand their production scale rapidly, covering almost all the products of daily life.

However, for every success story, there’s a related warning tale of a celebrity who overvalued his consumer appeal. No matter how famous the product’s origin is, if it fails to impress consumers with its own qualities it begins to resemble an exercise in self-promotional marketing. And once the initial（最初的）attention dies down, consumer interest might fade, loyalty（忠城）returning to tried-and-true labels.

Today, celebrities face even more severe embarrassment. The pop-cultural circle might be bigger than ever, but its rate of turnover has speeded up as well. Each misstep threatens to reduce a celebrity’s shelf life, and the same newspaper or magazine that once brought him fame has no problem picking him to pieces when the opportunity appears. Still, the ego’s（自我的）potential for expansion is limitless. Having already achieved great wealth and public recognition, many celebrities see fashion as the next frontier to be conquered. As the saying goes, success and failure always go hand in hand. Their success as designers might last only a short time, but fashion－like celebrity－h(huán)as always been temporary.

Fashion magazines today        .

   A. seldom put models on the cover

   B. no longer put models on the cover

   C. need not worry about celebrities’ market potential

   D. judge the market potential of every celebrity correctly

A change in the consumer market can be found today that        .

A. price rather than brand name is more concerned

   B. producers prefer models to celebrities for advertisements

   C. producers prefer TV actresses to film stars for advertisements

D. quality rather than the outside of products is more concerned

The underlined sentence in paragraph 4 indicates that any wrong step will possibly        .

   A. decrease the popularity of a celebrity and the sales of his products

   B. damage the image of a celebrity in the eyes of the general public

   C. cut short the artistic career of a celebrity in show business

   D. influence the price of a celebrity’s products

The passage is mainly about         .

   A. celebrity and personal style

   B. celebrity and markets potential

   C. celebrity and fashion design

   D. celebrity and clothing industry

 “It’s no use, Mum,” said Johnny. “I’m just no good at dancing.”

“You’ve got to keep trying. Tonight will be     36    , dear. Try a turn with that pretty Lisette.”

Johnny     37    . Every Saturday night used to be the best of the week. He and his parents went to the     38     at the Club, where his hero, Alcide, played the accordion （手風(fēng)琴） with the band. But lately everything had changed. Now that Johnny was older, he was     39     to dance with a girl!

    40     Johnny and his parents arrived at the Club, music had already started. Johnny got up his     41     to approach Lisette. “May I have this dance?” Johnny asked. “That’s all right,” said Lisette. Johnny struggled to keep up with Lisette’s     42     steps, but he was always one beat behind her. Then Johnny heard his friend Pierre say, “Look! Johnny has two left feet!”     43    

burst from the crowd. Johnny     44     and ran outside, determined never to go to another dance.

The next Saturday, Alcide     45     to Johnny’s house for some potatoes. He happened to hear Johnny playing the accordion. Alcide’s eyes     46    . “Bring that accordion and play some songs tonight,” Alcide said. Then he drove off, leaving Johnny staring open- mouthed     47     him.

At the Club, Johnny scanned the crowd for Lisette and     48     her. The band played for a long time before Alcide said, “Dear friends, I got a     49     for you tonight. Young Johnny is going to join us!”     50    , Johnny stepped up on the platform, his eyes on the floor. He began to play, and the band     51     behind him. When the song ended, he heard cheers. Johnny kept playing until the dance was     52    . “You did a fine job tonight. Play with us again next Saturday night,” Alcide said. “Yes, sir!” said Johnny.   53   he went outside, Johnny saw Lisette and her friends near the door. Lisette stepped     54    , smiling. “You played really good tonight!” she said.

“Thank you,” Johnny blushed （臉紅）. As he walked on, Pierre     55     moved out of the way for him to pass.

Johnny patted his accordion. Come to think of it, in his whole life, he had never once seen Alcide out on the dance floor.

       One might expect that the ever-growing demands of the tourist trade would bring nothing but. good for the countries that receive the holiday-makers. Indeed, a rosy picture is painted for the long-term future of the holiday industry. Every month sees the building of a new hotel somewhere, and every month another rock-bound Pacific island is advertised as the 'last paradise(天堂) on earth'.

        However, the scale and speed of this growth seem set to destroy the very things tourists want to enjoy. In those countries where there was a rush to make quick money out of sea-side holidays, over-crowded beaches and the concrete jungles of endless hotels have begun to lose their appeal.

       Those countries with little experience of tourism can suffer most. In recent years, Nepal set out to attract foreign visitors to fund developments in health and education. Its forests , full of wildlife and rare flowers, were offered to tourists as one more untouched paradise. In fact, the nature all too soon felt the effects of thousands of holiday-makers traveling through the forest land. Ancient tacks became major routes for the walkers, with the consequent exploitation of  precious trees and plants.

       Not only the environment of a country can suffer from the sudden growth of tourism. The people as well rapidly feel its effects. Farmland makes way for hotels, roads and airports; the old way of life goes. The one-time farmer is now the servant of some multi-national organization; he is no longer his own master. Once it was his back that bore the pain ; now it is his smile that is exploited. No doubt he wonders whether he wasn't happier in his village working his own land.

       Thankfully, the tourist industry is waking up to the responsibilities it has towards those countries that receive its customers. The protection of wildlife and the creation of national parks go hand in hand with tourist development and in fact obtain financial support form tourist companies. At the same time, tourists are being encouraged to respect not only the countryside they visit but also its people.

       The way tourism is handled in the next ten years will decide its fate and that of the countries we all want to visit. Their needs and problems are more important than those of the tourist companies. Increased understanding in planning world-wide tourism can preserve the market for these companies. If not, in a few years’ time the very things that attract tourists now may well have been destroyed.

71.  What does the author indicate in the last sentence of Paragraph 1 ?

       A. The Pacific island is a paradise.                        B. The Pacific island is worth visiting.

       C. The advertisement is not convincing.                 D. The advertisement is not impressive

72.  The example of Nepal is used to suggest _________ .

       A. its natural resources are untouched.                  B. its forests are exploited for farmland

       C. it develops well in health and education.           D. it suffers from the heavy flow of tourists.

73.  What can we learn about the farmers from Paragraph 4 ?

       A. They are happy to work their own lands.           

       B. They have to please the tourists for a living.

       C. They have to struggle for their independence. 

       D. They are proud of working in multi-national organizations.

74.  Which of the following determines the future of tourism ?

       A. The number of tourists                                  B. The improvement of services.

       C. The promotion of new products.                  D. The management of tourism

75.  The author’s attitude towards the development of the tourist industry is __________.

       A. optimistic                            B. doubtful                 C. objective               D. negative